That might have something to do with why I enjoy watching others toil and struggle, then. I’m also keenly aware that, no matter how much training movies have given me, I would not survive long in the post-apocalypse. As worrying as it is to type this out now, I often daydream about how civilisation would look once it crumbles and how humanity would react. Post-apocalyptic movies hit a note with me that I can’t quite put my finger on, but it all stretches back to my love of zombie movies. I’m one such person, someone who will choose to watch the aftermath of the end more than almost any other genre of movie.
Whether it’s the disquiet or desolation, there’s something inherently interesting about watching the expanses of nothingness and the scattered people within them. It was restored by the Danish Film Institute and released on DVD in 2006.There’s something strangely alluring to so many people about watching the best post-apocalyptic movies, much in the same way that there’s such an appeal to checking out abandoned places. The film is also known as The Flaming Sword. The film attracted a huge audience because of fears generated during the passing of Halley's comet six years earlier, as well as the ongoing turbulence and unrest of World War I. Blom and his crew created special effects for the comet disaster using showers of fiery sparks and shrouds of smoke. The film depicts a worldwide catastrophe when an errant comet passes by Earth and causes natural disasters and social unrest. The End of the World ( Danish: Verdens Undergang) is a 1916 Danish science fiction drama film directed by August Blom and written by Otto Rung, starring Olaf Fønss and Ebba Thomsen.
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